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Oregon

Mandolin Orchestra

Christian McKee
Musical Director
 
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SAVE THE DATE!

ANNOUNCING OUR NEXT CONCERTS

Elegies & Ecologies:
Music Inspired by Memories, Mourning, and the Natural World 

 

Sunday, October 11
St. Barnabas Episcopal Church

Saturday, October 17
Rose Park City United Methodist Church 

Saturday, October 24
First Presbyterian Church

Performances

Why Mandolins?

MODERN TAKE ON A TRADITIONAL AMERICAN ART FORM

 

Founded in 2010, the Portland-based Oregon Mandolin Orchestra has successfully revived the tradition of community-based mandolin ensembles that were wildly popular across North America during the early 20th century. Today, the nonprofit orchestra boasts roughly 25 members who play first and second mandolin, mandola, mandocello, classical guitar and mandobass. The OMO is one of approximately 50 orchestras recognized by the Classical Mandolin Society of America.

 

Since its launch, the Oregon Mandolin Orchestra has put on up to a half-dozen concerts a year in Portland, Vancouver, Salem, Hillsboro, Astoria, Hood River, Pendleton and Ridgefield, Washington. The orchestra has performed everything from Mozart to Led Zeppelin and regularly plays folk, swing, Brazilian choro and selections from the Great American Songbook. OMO is dedicated to bringing plucked string music to broad audiences, and has performed in churches, public parks, senior living facilities, minor league baseball stadiums and the Washington State School for the Blind.

 

The OMO Chamber Ensemble has performed on KOAC and KBOO radio, as well as KGW-TV and KATU-TV.  The ensemble also has played before concerts by the Vancouver Symphony Orchestra, Portland Chamber Orchestra, Oregon Sinfonietta and Hillsboro Symphony Orchestra, as well as during opening festivities for the Oregon Bach Festival.

 

 

GLOWING REVIEWS

 

The late composer John Goodin said he was elated with the OMO’s 2021 world premiere performance of "Oregonia," a piece the orchestra commissioned Goodin to write. "Bravo OMO!! You made my piece sound great," he said. "I can't thank you all enough."

 

August Watters, a distinguished composer and a former professor at Berklee College of Music, complimented the Oregon Mandolin Orchestra's 2019 performance at the Portland Picnic wine-tasting festival. "Congratulations on your concert!" Watters said. "I was impressed by all the good work going on, and by your choice of repertoire for the ensemble."

In 2018, the OMO was one of only three American ensembles accepted to play at the BDZ Eurofestival in Bruchsal, Germany. The festival, held every four years, was established in 1963 to support the plucked-string music tradition. Hundreds of musicians from around the world performed at the festival.

concert review by Auftakt!, the festival magazine, praised the Oregon Mandolin Orchestra's technique, saying "fulminating, swelling tremolos" gave pieces "a noticeable dramatic effect." The review went on to say the performance "gave the listeners visions of a majestic landscape and captivated them entirely."

 

 

CONTACT INFORMATION

 

For interviews or questions, please contact:

 

Christian McKee, Oregon Mandolin Orchestra music director: omomckee@gmail.com or 503-891-1226

 

Michael Tognetti, mandolinist, Oregon Mandolin Orchestra board president: president@oregonmandolinorchestra.org or 360-521-0255.

 

 

Follow the Oregon Mandolin Orchestra online:

 

Facebook (https://www.facebook.com/OregonMandolinOrchestra/)

 

Twitter (https://twitter.com/OregonMandoOrch)

 

Instagram (https://www.instagram.com/oregonmandolinorchestra/)

 

YouTube (https://bit.ly/3pSeuWm)

Their Strings May be Silent
but not Their Legacy

They may be gone, but they certainly haven’t been forgotten by the Oregon Mandolin Orchestra.

Each of the following people formerly played, performed, rehearsed and laughed with the OMO before passing away.  All of them are missed – not only for their contributions to the orchestra’s collective sound, but also for their dedication to making the OMO a community fixture, for extending a warm welcome to new players and for encouraging youth to participate.

Though they no longer are with us to play, their music still rings clear in our minds and hearts.

Carl Schnoor cut an impressive swath across Portland, spreading his passions for music, teaching, world travel and support for the arts.  As a young man, Carl learned to play viola and launched a five-decade career teaching music in Portland Public Schools.  Many of his students fondly recall his kindness, patience and generosity. Carl was a dyed-in-the-wool traveler, visiting Asia, Europe, Australia South America, Africa and Antarctica while making Portland his home. Adept at playing alto-clef instruments, Carl played viola for more than 50 years with the Oregon Sinfonietta, also joining the Oregon Mandolin Orchestra in 2021 to play mandola. “Carl was a pillar of music education in the Portland area,” said OMO Music Director Christian McKee.  “He had an abiding love of classical music, and loved to play his teens-era Gibson mandola. It was an honor to have him in our orchestra during his later years.” Don Appert, Oregon Sinfonietta music director, also applauded Carl’s contributions. “He played under my baton for 24 years and always was a most enthusiastic and dedicated musician,” Appert said.  “When he wasn’t making music, he was attending concerts, operas, ballets and recitals.  It truly was his lifelong passion and we in the Sinfonietta will miss him.”

Raised on Lake St. Clair in Michigan, Burl told amazing stories about working at the family boat moorage. A mechanical engineer by trade, he married Abigail Trask in 1958, and together they started a printing business, AB Prints. He loved sailing, served as Commodore of the Willamette Sailing Club, and for many years circumnavigated Vancouver Island with Abigail in their 35-foot sailboat. A "pretty" skier and former Timberline Ski Host, Burl took his last run at age 86. As a mandolinist, he was a member of the Mandophonic Orchestra,the Portland Megaband and the Oregon Mandolin Orchestra. He will forever be remembered for his rendition of "Pop Goes the Weasel", played with his grandkids or while propped up on the trunk of a car. His memory will live on in the retelling of his stories and in our hearts.

Bill Jordens, adept at both mandocello and mandolin, died at his Gresham home on July 29 – just three days short of his 90th birthday. “There are many of us in the orchestra who learned from Bill and shared both music and laughs along the way,” said OMO President Michael Tognetti. “Those of us who played and laughed with him will treasure those moments.” In 1938, while just 10 years old, Bill joined his father, Harry W. Jordens, and his grandfather, Paul Bruno, to play in the Bonne Amie Musical Circle in Milwaukee, Wisc. The circle, established in 1900, is the direct predecessor of the Milwaukee Mandolin Orchestra, making that orchestra the world’s longest-continuously performing mandolin ensemble. “I had the last chair and I wasn’t very good,” Jordens told The Oregonian/OregonLive in 2013. “But they still let me play.” After moving to Oregon, Bill joined the old Portland Mandophonic Orchestra, playing until it disbanded in 2001. He joined the Oregon Mandolin Orchestra when it was established in 2010, leading the mandocello section and providing a strong positive example to others in the ensemble. Health issues forced him to leave the orchestra in early 2017 Throughout the years, however, Bill still played with several of his Portland Mandophonic friends on Saturdays and Tuesdays. Pam Gurnari, who played with Bill in both orchestras as well as the weekly get-togethers, said he left a lasting impression on everyone. “Bill was a good man -- and a great friend to me,” Gurnari said. Chuck Whitman, another veteran of both orchestras and weekly sessions, said Bill often injected comic relief into OMO rehearsals. His sharp rapid-fire comebacks to the orchestra’s co-founder and first music director became the stuff of legend. “Bill had a very quick wit,” Whitman said. “Many will remember his responses to many of Brian Oberlin’s comments from the conductor’s stand.” In addition to playing mandocello with these different groups, Bill forged a successful career as a high school science teacher. Ken Culver, who formerly led the Portland Mandophonic, said Bill joined the orchestra in 1983 after attending a concert in downtown Portland. “He was a superb addition to the Mandophonic,” Culver said. “He was very happy to be playing.” Culver said Bill volunteered to take hand-written scores and feed them through computer programs that made the music more uniform and easily understandable by orchestra members. “He never said a word about it,” Culver said. “He just did it on his own – and it was much appreciated.” On Sept. 3, 1949, Bill married Margaret Howe in Milwaukee. They soon settled in Northeastern Oregon. They moved to Gresham in 1968, where Bill became a respected educator. Margaret, who worked in retailing, died in 2010. Survivors include their daughters, Mary Lynn Fisher of West Sacramento, Calif., Susan Davis of Portland and Patricia Jordens of Portland; son, William J. Jordens of Beaverton; eight grandchildren; and seven great-grandchildren. In honor and recognition of Bill’s deep, historical commitment to mandolin music, the OMO Board of Directors established the Bill Jordens Education Fund to recognize his lifelong commitments to music and education, as well as his contributions to the Oregon Mandolin Orchestra. “Mandolin orchestras definitely made life richer for my father after he retired,” Fisher said. “He loved playing music.”

Patricia “Trish” O’Neil was a stalwart mandola player in the old Portland Mandophonic Orchestra for many years, then joined the Oregon Mandolin Orchestra soon after it was established in 2010. Trish grew up in Eureka, Calif., and received a degree in nursing. This was her primary profession through the years. Meanwhile, she also had classical music training on mandola, mandolin, viola, violin and piano while completing a year at a music conservatory. The knowledge she gained from that training helped both orchestras navigate the intricacies of the often-complex classical genre. While living in Happy Valley, Trish took mandolin lessons from Jan DeWeese, a member of the Reed College music faculty. She also played in assorted weekly musical gatherings led by the late David Wood, formerly co-owner of Sheet Music Service. A devotee of Irish music, Trish assembled an enormous, ever-evolving book of tunes entitled “Not At My Father’s Knee.” She labeled each successive version of the book, the “Umpteenth Edition.” Trish had a quick wit and a great sense of humor. She also was an avid reader. She adored cats and dogs, and was a guardian for many throughout her life. Trish also enjoyed making glass beads and remained active despite struggling with chronic back pain. She was preceded in death by her husband, Steve O’Neil.

Jack Densem was a longtime mainstay in Portland's music community. He was one of the original members of the old Portland Mandophonic Orchestra, faithfully attending the twice-weekly rehearsals to run up the best attendance record of any player. While playing in the Mandophonics, Jack played in a small mandolin ensemble that played on Saturday mornings, a Vancouver orchestra and a string quartet, displaying his range on mandolin, mandola, violin and viola. He joined the current Oregon Mandolin Orchestra when it started in 2010. Jack encouraged some of the local players to join him in San Diego for the Classical Mandolin Society of America's 2003 convention in San Diego, as well as the 2010 convention in Seattle. He had a remarkably, active life in retirement: golf (with a hole in one!), bowling (averaging a respectable 200), photography, gardening, sculpture, as well as long daily runs/walks. He was devoted to his family, caring for his wife of many years until her recent death. The couple were deeply interested in community arts and would set up a schedule of performances to attend throughout the year. One of Jack's favorite observations was that his retirement lasted longer than his professional career.

THE ORCHESTRA

Our Roots

The Oregon Mandolin Orchestra is dedicated to bringing the beauty of mandolin music to audiences while providing opportunities for local musicians to perform.

The mandolin was the most popular instrument in America in the early 1900s. That love affair fully bloomed when mandolin orchestras sprang up in cities across the country, enchanting concert-goers with their distinctive sound.

Although tastes shifted over the years, appreciation of the mandolin was rekindled during the Folk Revival of the 60s. This set the stage for the Oregon Mandolin Orchestra, which was founded by Brian Oberlin and Elizabeth Farrell in 2010.

Today, the nonprofit, all-volunteer Oregon Mandolin Orchestra counts over two dozen dues-paying members who play mandolin, mandola, mandocello, mandobass, classical guitar, and bass – a beautiful rainbow of plucked string instruments. 

Our Leadership

Christian McKee, Musical Director, has made music since childhood, playing Suzuki violin as a youngster, and singing in choirs until the age of eighteen. Since then, Christian has toured and performed on the West coast in multiple ensembles on mandolin, mandola and mandocello.

 

Christian believes that at its best, music is a true conversation amongst the musicians that is shared with the audience and guided by the vision of the composer. Best of all, like any good conversation live music is pleasantly unpredictable and different each time. Christian brings a great deal of enthusiasm to his role as the Orchestra’s musical director, and invites everyone in the Pacific Northwest to enjoy this beautiful music along with us.

CONTACT

Contact Us

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Oregon Mandolin Orchestra 

P.O. Box 1783 

Portland, OR

97207

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